Robert Creeley presents a class focused on the moving what's "inside--the imaginable emotional and conceptual world of the writer--into contact with what's outside--the world of other people events and situations." Creeley begins his discussion with William Carlos Williams' movement between thought and event in "Desert Music." He then presents examples of the ways in which the different imaginable worlds of individuals interact to create "external" situations referring to John Glenn his two-year-old son Willy and the actions of soldiers and generals in World War I.